刘倩：《青木正儿藏中国民俗版画研究》，《文化遗产》2023年第4期。

【内容摘要】日本学者青木正儿（Aoki Masaru，1887—1964）为加深对中国文化的理解在20世纪20年代数次来华。他于1926年前后在北京游学期间，搜集了近百幅中国民俗版画，后成为日本名古屋大学附属图书馆“青木文库”的珍贵藏品。这批以纸马门神为代表的传统民俗版画实物文献，是青木正儿中国风俗研究的重要组成部分，更是其于时代更迭之中凝视中国风俗的物证。它彰显了青木正儿关注庶民文化的治学旨趣，并为1920年代中期的年画变革留存了图像上的细节凭证，也为东丰台年画的研究提供了丰富的新实物资料。

【关键词】青木正儿；民俗版画；1920年代年画变革；东丰台年画

Study on Chinese Folk Prints Collected by Aoki Masaru

Liu Qian

Abstract: To deepen his understanding of Chinese culture, Japanese scholar Aoki Masaru (1887−1964) made several trips to China in the 1920s. During his stay in Beijing around 1926, he collected nearly a hundred Chinese folk prints, which later became precious collections in the Aoki Collection of the Nagoya University Library. These traditional folk prints, represented by paper horse and door gods, are essential component of Aoki Masaru’s research on Chinese customs and important physical materials and evidence of his contemplation of Chinese folk culture during the progress of ages. They reflect Aoki Masaru's academic interest in popular culture and provide detailed visual evidence for the transformation of New Year prints in the mid-1920s, offering abundant new physical materials for the study of Dongfengtai New Year paintings.

Keywords: Aoki Masaru; Folk Prints; Transformation of New Year Prints in the 1920s; Dongfengtai New Year Paintings