郭倩倩、李扬：《“画中女”故事文本流变及意涵阐释》，《贵州民族大学学报（哲学社会科学版）》2023年第3期。

【摘要】“画中女”故事是以人类男子与画中女子产生恋爱、婚姻等情感活动为主要内容的故事，在“AT分类法”中作“400B画中女”。中国“画中女”故事自魏晋南北朝产生以来呈现出较为复杂的面貌，在搜集故事文本的基础上梳理“画中女”故事的流变，能够揭示故事在不同时代的呈现特点，探寻古今“画中女”故事文本在语言与程式、主旨与情感方面的明显差异。“画中女”故事在本文结构与人物角色、民俗事象背后，隐附丰富的叙事与文化意涵：叙事层面，关乎性别、身份与伦理的二元对立结构在叙事中完成关系的调和；文化层面，“画中女”角色与呼名、食饮等民俗事象映射原始思维与多重文化意蕴。

【关键词】“画中女”故事；文本流变；古今载录；深层结构；文化阐释

The Story Texts of "Ladies in Pictures": Evolution and Meaning Interpretation

Guo Qianqian, Li Yang

Abstract: The stories of "Ladies in Pictures" focus on the love and marriage between men in the secular world and the ladies in pictures. Based on the AT classification method "400 B ladies in pictures" are sorted out. China's stories of "Ladies in Pictures" started in the Wei, Jin and Southern and Northern Dynasties Period, taking a complex look. On the basis of collecting " Ladies in Pictures" story texts from ancient times to the present we find their striking differences in language and formulas, and main ideas and emotions. These stories reveal rich narrative and cultural implications behind their narrative structure and character roles and folklore incididences, show harmonious narrative relationships behind their narrative levels and the dual dichotomy between gender, identity and ethics, and reflect primitive thinking and multilayered cultural implications behind the "Ladies in Pictures" roles and salutations and such folklore incidences as food and beverages.

Key words: Ladies in Pictures; text evolution; ancient and present records; deep structure; cultural interpretation