[德]白瑞斯：《中国皮影戏在德国的传播与相关文物收藏》，叶进（Jin Ye-Gerke）译、王霄冰校，《艺术与民俗》2020年第3期。
【内容摘要】德国人对中国皮影戏的接受与认知主要表现在三个方面:来华德国人所接触到的皮影戏，中德两国的皮影剧团在德国的演出，一些学者和皮影戏爱好者对剧本、乐器、皮影戏人物剪影及其他道具的收集和收藏。虽然部分藏品在第二次世界大战中遭到损毁，但至今仍有许多皮影戏文献和文物保存在德国的公共机构之中，可供欣赏和研究之用。
【关键词】民俗文物；皮影戏；皮影剧本；皮影道具；德国

The Spread of Chinese Shadow Play in Germany and the Collection of Related Cultural Relics

Berthold Riese

Abstract: Germans’acceptance and cognition of Chinese shadow play are mainly manifested in three aspects: the shadow play that Germans came into contact with when they visited China; performances by Chinese or German shadow play troupes in Germany; the collections of scripts, musical instruments, figure silhouettes and other theatrical props by some scholars and shadow play lovers. Although some of the collections were destroyed or damaged in World War II, many literature and cultural relics of shadow play are still preserved in the public institutions in Germany, and accessible for appreciation and research.

Keywords: Folklore Relics, Shadow Play, Scripts of Shadow Play, Props of Shadow Play, Germany