陈雅新《清戏画研究之回顾、展望与新材料》，《戏曲研究》第104辑，2017年04期。

【内容提要】清代戏画研究自1930年代肇始，至今已取得了一定的成果。宫廷戏画、“十三绝”画像、昆戏画和戏曲年画是其中的研究热点。现有成果在角度、方法上为今后的研究带来启示，但也存在着整理工作不够规范、整体性研究缺失、研究深度不足等问题。清代西方画家和外销画家绘制了大量中国戏曲题材的画作，其中不乏创作时间早、画工精良、写实程度高、具有独特史料价值的作品，是有待挖掘的新材料。

A Review, Prospects, and New Materials in the Study of Qing Dynasty Opera Paintings

Chen Yaxin

Abstract: Beginning in the 1930s, the study of opera paintings in Qing dynasty has get much achievement. The focus of the research includes court opera paintings, “thirteen portraits” painting, Kun opera paintings, and opera New Year paintings. The existing research findings provide insights for future studies in terms of perspectives and methods, but there are also issues with the lack of standardized organization, overall research, and depth of research, among others. Western painters and export painting painters in the Qing dynasty created a large number of paintings based on Chinese opera themes, among which there are many works with early creation time, excellent craftsmanship, high realism, and unique historical value, making them new materials that await exploration.